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Week of March 13, 2006

You can take "The Peacemaker," "Deep Impact," and "The Tuxedo." We'll take "Gladiator," "American Beauty" and anything else that didn't suck.

Emilio's 17

Yeah, like he needed all that overpriced crap anyway...

This lawsuit's going to make 'House Party' look like 'House Party Two!'

I told you... don't call me SENIOR!!

Maybe this is all a bad dream too?

Thanks Sharon, but I think I'll wait until this one comes out on DVD (so I can freeze frame of course)

There is absolutely, positively no nepotism in Hollywood. None.

You're good, baby, I'll give you that... but me? I'm magic.

This band will go down like a lead balloon

Well, Goodbye there Children...

They can't sell the Capitol Records building! What will be left to destroy in the next crappy 'end of the world' movie?

Same old Courtney - still sponging off Kurt

Panic on the streets of Austin

You're a fat, Botox faced, wig-wearing ninny! Oh yeah? Well your band has a dirty H addict as a lead singer!

Black Sabbath, Blondie, Miles Davis, The Sex Pistols, Lynyrd Skynyrd Enter Rock Hall



01 THE BREAK-UP $39.17
$12759/av

02 X-MEN: THE LAST STAND $34.02
$9159/av

03 OVER THE HEDGE $20.65
$5170/avg

04 THE DAVINCI CODE $18.61
$4953/avg

05 MISSION: IMPOSSIBLE III $4.68
$1756/avg

06 POSEIDON $3.49
$1283/avg

07 RV $3.20
$1469/avg

08 SEE NO EVIL $2.04
$1607/avg

09 AN INCONVENIENT TRUTH $1.36
$17615/avg

10 JUST MY LUCK $855K
$892/avg









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ONE HAND CLAPPING

By Chris Ryall

March 22, 2004

Off to see the WizardWorld: In Which Chris Ryall checks out the West Coast debut of WIZARD mag’s comic convention; also, a look at SWORD OF DRACULA’s comics-to-game-to-movie progression.

WizardWorld Los Angeles came to...well, Long Beach, this past weekend.

WizardWorld, the comic convetions put on by WIZARD magazine, have taken place in years past in Dallas, Chicago and Philadelphia in years past. The talk over the last few years has been that the Wizard folks were chomping at the bit to, if not take over running Comic-Con International in San Diego, at least directly compete with it. So here they are, having a major comic convention in Southern California only a few months before the big SD Con in July.

If anything, this con, requiring cross-continental travel for the east coast companies and creators, probably more adversely affects both WonderCon, taking place in San Franciso at the end of next month, and I'd imagine it impacted MegaCon, which took place in Florida about three weeks ago.

After all, companies and creators are only willing to shell out so much money flying around to these things, and there's a limited number of news stories to break at each one and...oh, who cares about all that? That's for other people to deal with. Let's instead just see if this con was any good.

I've never been to a Wizard show before. And really, I wasn't sure I'd make this one -- after all, it takes place two weeks from my wedding day, and with a lot to still take care of before that...well, I didn't have all weekend to spend at the show. But I figured I'd give it a look on Saturday, the first full day and the day Kevin was doing another of his Q&As (he's the show's Guest of Honor. WIZARD loves the Kevin Smith.)

The show is called WizardWorld Los Angeles for the same reason that WizardWorld Chicago, which takes place in Rosemont or somewhere, is called "Chicago" -- it sounds bigger and more important to anyone who doesn't know where the con actually is. Who would see "WizardWorld Long Beach" and think, wow, they're right in the heart of...the San Pedro harbor? Better to call it "Los Angeles" and leave it to us wags to explain that it's actually located at the Long Beach Convention Center, about an hour south of L.A. proper (and pretty close to the Long Beach Aquarium, right off the streets where the Long Beach grand Prix is run).

Maybe it was because I have other things on the brain right now--my wedding is now less than two weeks away--or maybe it's just that I had too much time to just roam aimlessly, but there didn't seem to be all that much to do. The room was fairly good-sized (just a little smaller than the Chicago con, I was told, although it's maybe a fifth of the size of the San Diego con. The problem was that the aisles were pretty narrow, at least compared to San Diego. And there was a lot of people there on Saturday, meaning a lot of lines for exclusive toys or creator signings. So navigating the room was tough throughout the day.

Then again, the best parts of these things are seeing people you know, anyway, and that was true at this show, too. I ran into Dan Taylor, writer of SUPER HERO HAPPY HOUR and got to meet our own BRAT-HALLA writer Jeff Stevenson (who presented with his brand-new, very cool t-shirt:

I also ran into other creators I know, Caleb Gerard, Cody Chamberlain, Dan Wickline and others. I met a guy from the View Askew boards who had nice things to say about me and this site (a sure way to win me over, so thanks, TommyBruce!) and also someone from WIZARD magazine and we talked about something that'll come to pass around June or July (I'll let you know when I know more). Stopped by and chatted with View Askew'er Bryan Johnson, too, and talked to other folks I'm friendly with, writers Steve Niles and Marc Andreyko (who also introduced me to Scott Morse).

So that was pretty much my day, just walking around and taking it all in and thinking about how much I still have to do before the wedding and honeymoon in fourteen days. But I did have some time to meet up with some of the folks from the message board, and also to take a load off for a couple of hours at Kevin's Q&A in the afternoon.

I'm sure others at View Askew or News Askew will have a full recap of his Q&A, so I won't go through it all here. There were no big revelations, really, but Kevin did discuss a few things (recapped in no particular order):

  • Confirming the recent news report, Kevin said he does have his mind set on Jake Gyllenhaal to play the Green Hornet. He also said that he hopes THE GREEN HORNET is so successful, he's then given the clout to tell Miramax that he does FLETCH LIVES with Jason Lee or no one.
  • Someone led off the day asking how he met Jason Lee. Luckily, he's able to turn such basic and over-asked questions as that into something more interesting, telling a story about how Lee didn't quite seem right for anyone in MALLRATS, where they first met, but was so nice that they kept having him come back and audition anyway.
  • Actually, the first question of the day was someone shouting out, "Where's the little stoner?" in regards to Jason Mewes (who's been clean from playing the real-life part of "the little stoner" for just about a year now). In fact, Kevin said that hanging with Mewes again this past year has really inspired him to make another Jay and Bob movie. He's said this before, of course, that it could happen as a reward to Mewes for staying clean. But this time when he talked about it, it all sounded a lot more likely to actually happen. So will we get "Jay and Bob in Space"? Could be.
  • About his long-overdue comics...there's no way to do a Q&A at a comic con and not get asked about them. He swears he'll finish them before getting deep into GREEN HORNET. Of course, GREEN HORNET is a $70M tentpole flick for Miramax, so I'd imagine that still has to be the priority here over a couple of comics mini-series, but he says they'll be done this year.
  • He mentioned the recent picture of post-volcano Anakin Skywalker (which we ran here, to which someone yelled out "Spoiler!" That was actually pretty funny, especially knowing how crazy convention-going STAR WARS fans are.
  • The West Coast Secret Stash store is still a go, opening sometime in early Summer:

    There were no more details to be had about it, although we should be announcing something here, including my participation in the new place, in a few weeks.

    And that was about it for my experience at the show. In all, it seemed to work out pretty well (except for the teeming masses who got turned away from getting their show-exclusive Hero Clix Galactus figure...man, that line was crazy all day) and should return here next year, too. The show definitely could stand to either spread out a bit more or limit the number of exhibitors in the place (of course, that'll never happen) to make sure attendees can actually, you know, walk around. It wouldn't kill Marvel Comics to actually participate in these cons, either. I know they had a couple panels, one with Brian Bendis, who announced his plan to write every third book that Marvel publishes, and also one with EIC Joe Quesada, but beyond that, you wouldn't know they were still in the publishing business. There was a big display for the upcoming PUNISHER movie and video game (what, nothing for MAN-THING?), but if there was any more Marvel presence at the show, I completely missed it. Odd as always, that company's marketing efforts.

    I couldn't get back down for the final day of the con yesterday, due to honeymoon prep (and to show my dedication, I even had to turn down an invite to a HELLBOY screening last night, too--thanks anyway, Kathy), but really, since I'll be immersed in the San Diego Con in July, this was enough for now.


    With comics on the brain this week, I thought I'd also take a closer look at another book that was recently optioned for a movie. And a first-person shooter video game. All this before its third issue had even come out.

    I'm talking about Image Comics' SWORD OF DRACULA, written by Jason Henderson and featuring art by Greg Scott (issues one and two) and William Belk (issue three on).

    As many times as Dracula's been featured in comics, this take on the character is pretty refreshing, and contemporary -- in this book, Dracula is one of the world's foremost terrorists, with legions of followers who just happen to also be vampires. In addition, his powers have grown to the point where he can control blood itself, molding and shaping it into whatever he needs, be it a sword or even his entire castle, much the same way Green Lantern can create shapes with his power ring (wow, I feel geeky typing that sentence).

    The thing with the increased powers, as pointed out by Jason in his essays in the back of the comics, is that this was set up all the way back in Bram Stroker's DRACULA. Even then, the book talked about how Drac's powers grew over the years, so it makes sense that, hundreds of years later, his powers would continue to grow and develop. It's a pretty novel take, and it makes for some good reading, too. I've never actually read Stoker's book (I was telling the writer, Jason Henderson, that while he was re-reading that book as a kid, I was probably re-reading Mallory's LE MORTE D'ARTHUR over and over), but SWORD features lots of little inside bits that are rewarding to old-time fans. Henderson pointed out some of them to me, but I won't spoil anything here (that guy's voice from the con, yelling out "Spoiler!" is still ringing in my ears).

    The book's protagonist is Ronnie Van Helsing, a commando leader in charge of a UN-connected and heavily armed covert operation called the Polidorium (the name of this organization also has its roots in Dracula lore, for those who want to see if they can find the connection). So Ronnie's organization is out to unearth Dracula's tomb and end the threat of vampirism even though he's a powerful SOB who's already dealt them quite a few casualties. Which is interesting enough, a good military approach to the Dracula mythos. But then in the third issue (issue four is due out soon), Henderson introduces the real threat of the book, the Nephilim, a pair of fallen angels.

    I was initially resistant to reading the issues when Jason sent 'em to me, I think because they were black and white. Not that I'm some four-color snob or anything, but sometimes black and white books just seem to take more time to get into them and...ah, hell, truth be told, I just haven't really had the spare time lately to read or see much of anything. So despite the distinctive covers being intriguing (they're all by former STARMAN artist Tony Harris), and the book just having a cool logo in general, I put the first couple issues aside until I had time to get to them (which'd probably be after the aforementioned honeymoon). This actually might have served me better--reading all three of the issues in a row is sixty-plus pages of story, and by the end of the third issue, yeah, I'm hooked.

    I'm not so sold on the new art as of yet, but that's because the detailed art by Greg Scott (he should be drawing SUPERMAN with that name) on the first two issues spoiled me. Scott's style worked great in black and white, reminding me a bit of ASTRO CITY's Brent Anderson, if Anderson bathed his work in shadows (the liberal use of black actually makes it more reminiscent of Anderson's work on that old '80s book SOMERSET HOLMES):

    Scott moved on after two issues, replaced by William Belk, whom I keep seeing reviewers describe as "American manga." Luckily, it's not that, but it is a bit more cartoony than the first two issues, anyway:

    Belk does try some innovative things with his page layouts, and I'm confident the style (which reminds me a bit of James Fry) will grow on me as he grows into the book, but I do miss Scott. Still, Henderson wanted to channel anime all along, he said, so Belk's style might be more in line with what he intended from the start. "This is Dracula if he were invented by Go Nagai," he said. "I’m a huge anime fan and one aspect I love in particular is the way characters and even matter move in the world of anime and manga – solids flow like liquid, people leap like jaguars. "

    Newsarama.com ran an article about the comic being optioned for a movie, and in it, the producers kept saying they saw the movie as a modern-day RAIDERS OF THE LOST ARK and that Ronnie Van Helsin has echoes of Marion Ravenwood . Which sounds like a great way to approach the adaptation, definitely (although Stephen Sommers's lame MUMMY movies were said to be in the spirit of RAIDERS, too...), as long as having another Van Helsing hunting Dracula doesn't butt up against Hugh Jackman's flick. But really, it shouldn't--the material is so different from other Dracula movies. Henderson describes it as "BLACK HAWK DRACULA," so in a way, a better model for the producers to follow would be ALIENS, another horror movie concept that updated the source material and added a military flavor to it. Add to this the supernatural element and...oh, yeah, this thing has "big summer flick" written all over it.

    It also seems natural for a video game, of course (there's an article about the SWORD game's development right here), but right now, all that seems peripheral. I'm just interested in seeing where the story goes. There's a good six-page preview of the book, for those who haven't seen it yet. I'd recommend giving the pages a look, and then I'll push even harder for you to check out the book itself. The prequel is found here. In general, horror comics right now, from Steve Niles' ensemble to Robert Kirkman's THE WALKING DEAD to this book, are probably the most interesting and dynamic comics around. So while I wish I'd jumped on this book as soon as I got the first issue, I've played catch-up in a big way. Of course, now I have to do that again...

    Henderson just sent me his latest book, SOULCATCHER (published by Moonstone Publishing, a small li'l brand, meaning it'd be best to pre-order this one if you want to see it), about a young widow with the power to absorb the abilities of the recently dead hunting ghosts in New Orleans. He and SWORD's Greg Scott are also working on a book called SYLVIA FAUST, about a young sorceress on the run in New York City, and he has STRANGE MAGIC due from Marvel, too. Which seems like a nice little mystical niche that's not currently being filled by anyone else. And from what I've read so far, he's the perfect guy to fill it.


    Next Week: Wedding prep and THE UNITED STATES OF LELAND

    /chris /chris

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  • Addicted to Bad
    by Patrick Keller

    International Intrigue
    by Alison Veneto

    Nocturnal Admissions
    by D.K. Holm

    Strange Impersonation
    by Kim Morgan

    Trailer Park
    by Christopher Stipp




    New DVD Releases
    for April 11, 2006

    DVD Diatribe
    by D.K. Holm

    DVD Late Show
    by Christopher Mills




    Preachin' from the Longbox
    by Britt Schramm

    Should It Be a Movie?
    by Marc Mason

    New Comic Book Releases
    for April 12, 2006, 2006




    New CD Releases
    for April 11, 2006

    Music for the Masses
    by M.C. Bell




    TV Recommendations
    Boob toob picks of the week by Chris Ryall

    Kentucky Fried Rasslin'
    by Scott Bowden

    TV Pilot Review Archives
    by Chris Ryall



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