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MY SO-CALLED DVD, PART II
By Derek Miner
October 24, 2002
To read Part I of MY SO-CALLED DVD, please click here.
The year of 2002 brought a windfall of television shows to the DVD format.
Fans of STAR TREK: THE NEXT GENERATION were promised all seven
seasons by the end of the year. Warner Bros. reconsidered their release
strategies for FRIENDS and SOUTH PARK and began releasing the shows in
season sets. Fox Video bucked the syndication trend and took the first
seasons of 24 and MALCOLM IN THE MIDDLE straight to DVD. But before all
these sets hit stores, there was the announcement of MY SO-CALLED LIFE
coming to DVD.
Although BMG didnšt initially see a market for the series on DVD, former
employee Jason Rosenfeld convinced Ross Rojek of online retailer Another
Universe to take a chance on the show. Enlisting the aid of the team at
MSCL.com, a limited edition lunchbox and bonus disc were planned, and
Another Universe began taking pre-orders in February, 2002.
Once the project was underway, however, those involved with the DVD
began to find traps hidden in their path. Traps which would test the
patience of those behind the scenes as well as the customers who hoped to
have MY SO-CALLED LIFE on DVD less than four months after they preordered.
MY SO-CALLED SITE
Though MSCL.com was essential to proving the viability of MY SO-CALLED
LIFE on DVD, the site's founder, Steve Joyner hadn't been following the
project. "I'd gotten busy with my own life and own career and I sort of
decided I was just gonna become a Founder Emeritus and wouldn't have a
daily operational role," he says. Consequently, Joyner didn't know the DVD
was being sold until Another Universe was taking pre-orders. "Shortly after
that, I immediately got involved and up to speed," he recalls. "I have a
personal interest in the customer," he insists. "These aren't just people who
are buying a Madonna CD or something. These are people who, through a
site that I developed and founded, found this opportunity to buy this. So I
feel a certain responsibility to make sure that their interests are watched
over."
"I was originally very concerned, very skeptical, of both Jason and Another
Universe," Joyner confesses. "I wanted to make sure that everyone
understood, as best as I understood, the downside. In my view, everything
was always half empty, because I thought there [were] plenty of great
things to make the whole idea half full," Joyner points out. "I wanted to be
the skeptic. Because I thought there needed to be a skeptical voice to
counter all the 'rah rah.'"
"One of the first things I told Ross is, 'You know, I'm concerned that all it
takes is one person, or a couple people writing a letter to the postal
inspector, or the FTC or state attorney general, and you've got investigation
and potentially a class-action suit,'" Joyner says. "'I think you're getting too
worried about these things,' was the gist of the message I was getting back
from Ross."
Dan Fowlkes, a member of the core MSCL.com team, was also concerned
about the direction of the project. "In the beginning I was thinking, we at
MSCL.com, we're not having a lot of control over this. I'm personally feeling
like I don't have any control over this, so I'm going to try to get [Another
Universe] to actually hire my company to do work on this thing. Just try to
regain some measure of control over it," Fowlkes says. He succeeded in
convincing Rojek to let him participate in the creation of bonus materials.
Initially, Joyner took up the task of obtaining subjects for interviews.
"Steve, because he was involved in the effort to keep the show on the air
back in the early 90s, actually had met with a lot of the crew and the cast
from MY SO-CALLED LIFE, had kept in touch with some of them," Fowlkes
says. "So he was kind of point man for actually contacting all of them and
trying to set up something, for interviews."
Meanwhile, photographs had to be obtained for the lunchbox. "Basically,
Jason went over to BMG, on foot, and said, 'give me all your images,'"
Fowlkes remembers. "He had to talk them into letting him take some of the
images with him, and was only allowed to take 30 of the 120 images that
they had."
Fowlkes was given the task of choosing which images
would be turned over to Fivesided Design
(www.fivesided.com) for the lunchbox. "Oh, my gosh,
were they great images," Fowlkes sighs. "Of those 30
sent to me, maybe eight were the shots that were
already out there online that had now become very
recognizable, because there are only very few
number of MY SO-CALLED LIFE promotional photos
available online. The other 22 were stuff I'd never
seen, and some of them were just really, really nice,
gorgeous photos. And so I tried to use as many of
those as I could on the lunchbox while still using the
very recognizable two group shots on the front and
the back. And ever since then, I've been pestering Jason and Ross to get
the other 90 images from BMG and have like a 120-image 'image gallery'
on the bonus disc."
"It probably took about a week for [Fivesided] to turn around a couple of
comps, to show us the [lunchbox] design," Rosenfeld remembers. "And in
fact, [they] had two designs. One I thought was more aesthetically pleasing
than the other, but the one that was more aesthetically pleasing actually
left out a few of the cast members. And just understanding the audience
that we had and the people that were buying the product, to me it was
better to maybe have the one that didn't look quite as artistic."
MY SO-CALLED INTERVIEWS
Fowlkes next turned his attention to the bonus disc. "After like a month and
a half of waiting for Steve to tell us anything, or just to email us, we kind of
gave up on that," Fowlkes remembers. "And after talking with Jason quite a
bit, I just started cold-calling the crew of the show, and trying to dig up the
various representatives for the actors, and ended up getting a hold of all
the various people at Bedford Falls [the production company that created
MY SO-CALLED LIFE], Ed Zwick and Marshall Herskovitz and Winnie
Holzman."
On April 23, Fowlkes posted to the MSCL.com "So-Called Forum" that he
would be going to Los Angeles to interview the creators of MY SO-CALLED
LIFE. "There are many questions which all of us, as fans, would like to ask
them! So we're giving you the chance to post you questions here for them,"
Fowlkes wrote. That Friday, armed with video equipment and messages
from the MSCL.com forum, Fowlkes arrived in Los Angeles and met Ross
Rojek.
"It was kind of funny watching him do the interview because he was
involved," Rojek says of the Bedford Falls visit. "It wasn't just a matter of
question and answer for him. They finished talking, and he's just sitting
there, absorbing it all."
With about 70 minutes of footage "in the can," further interviews were
proposed. "Steve, when he reappeared, took back up the reins, to a
degree, with calling back cast members and whatnot. So he organized
some cast members to get together and me to interview them," Fowlkes
says.
Fowlkes headed to Los Angeles for a second time on May 10th. "I showed
up at the Four Seasons in Beverly Hills, after my trans-continental flight.
And there was just a message at the desk saying, 'Call Steve,'" Fowlkes
recalls. "Steve's like, 'You're gonna kill me, but I ended up canceling the
whole interview session.' Turned out various people Steve had said were
going to show up were not going to show up. And so he decided it wasn't
worth it to get the room, to get the suite at the Four Seasons and do the
interview with so few people showing up."
"I was talking about getting all the actors together, the principal actors, for
what I called a 'gab fest,' and we were going to go down and interview
them," Joyner says. "And I just found myself again, a hundred percent of
my time and energy was going into this." When the cast interviews fell
through, Joyner decided to take a less prominent role in the project.
"Occasionally, I find myself slipping and I find myself obsessing again," he
says. "There's a permanent part in my being that is MY SO-CALLED LIFE.
I've spent a couple years, full-time pretty much, on this show. And that's
why I really wanted no involvement."
"But that second trip to LA ended up bearing some slight fruit," Fowlkes is
quick to add. "I wandered around Beverly Hills most of the weekend, [and]
ended up going to the Museum of Television and Radio."
"They'd had an event there with the entire cast, all the crew. Many more
crew members than I'd been able to interview," Fowlkes says. "They
introduced them all in the beginning, then they showed the pilot, then they
had a question and answer session at the end, which I thought was great.
And I told Ross that 'If we don't end up getting our own cast interviews,
you really have to try to get this footage. I don't know what the Museum of
TV and Radio would want, but, they seem like good people, and a really
good cause, so you should give them money, and get this footage, because
it's really good stuff.'"
Fowlkes had also been looking into one further interview for the bonus disc.
"Snuffy Walden, the guy who did the music, I contacted him and he said he
was totally willing to submit a DAT tape of him answering questions we sent
him," he says. "I figured, [to] make a little short question and answer
featurette on the bonus disc, we'll just throw up some stills of publicity
shots of him at work while we played the tape, or frames from MY SOCALLED
LIFE."
As he did for the other interviews, Fowlkes solicited questions from the
MSCL.com forum. "There were questions, and questions that I submitted to
him, but at that point, it was right in the middle of his hell month, just
because it was time to score basically all the pilots for the coming season,"
Fowlkes says. "And because the caliber of the questions was just kind of
lacking, in my opinion, I haven't followed up on that since."
MY SO-CALLED ORDERS
At the end of March, an e-mail arrived in many inboxes titled, "Important
MSCL DVD Update." The message from Jason Rosenfeld provided updates
on several aspects of the project. Another Universe had signed a deal with
GWhiz Enterprises to manufacture the lunchboxes, which were estimated to
be completed by late May. The DVDs were expected from BMG by early
June, so a tentative release date of June 18 was given.
But an unforeseen problem had also come up. "We learned that the [credit
card] authorization cannot remain open for 3-4 months without becoming
invalid," Rosenfeld wrote. Customers would have to decide whether to prepay
the full price of the set or cancel their orders and have their deposit
refunded.
Discussions about this issue began to surface at
MSCL.com forum. Rosenfeld and Fowlkes
frequented the message board, trying to answer
any questions about the project. On some
occasions, Ross Rojek also posted to the forum.
"Things change. Particularly when working with a
company like BMG," Rojek wrote on March 27.
"Our pricing has already gone up from what BMG
first told us, and we're going to eat those fees.
But all BMG's costs we have to pay. Plus the stuff
we're doing in addition." Rojek pointed out later
that Another Universe also had to absorb the
costs of the second Los Angeles trip where the interviews for the bonus disc
were cancelled. Rosenfeld further commented, "Instead of maybe ordering
1,000 (by August) sets of 3-4 discs, it is now comprised of 6 discs per set
(for video quality reasons) and there are nearly 3,000 orders."
"We've had to build systems to be able to handle this," Rojek says. "The
company was not set up for this when we got into this. And it definitely
wasn't set up to last this long under this process. And it's a headache. And
the problem is, there's only so many people to handle it. And we brought in
one person for like three weeks, just to organize all the customer
information. I mean, literally, by hand, printing it out, going through it, one
by one by one."
Meanwhile, the MY SO-CALLED LIFE project continued to attract more
attention and more orders, thanks to some major media coverage. The May
3rd issue of ENTERTAINMENT WEEKLY included an article about TV Shows
going to DVD, and specifically mentioned MY SO-CALLED LIFE and the
preorder situation, including a call in to executive producer Marshall
Herskovitz. The May 20th issue of US NEWS AND WORLD REPORT wrote a
story around the DVD project, calling it "the first show pushed onto DVD by
fans."
MY SO-CALLED LAWYERS
"The real challenge to this project for every step of the way has been the
attorneys," muses Jason Rosenfeld. "The second that the lawyers start
looking over the paperwork, looking at the deal, that's when everything
comes out of the woodwork."
The first legal issue on the MY SO-CALLED LIFE project became known
around May of 2002. "Because BMG Video had only put out episodes one
through twelve on VHS, that was the only music they'd ever cleared. They
never cleared episodes 13 through 19," explains Rosenfeld. In the business
of entertainment, "cleared" means those who hold the rights to a piece of
music have agreed to its use and have been properly compensated. Even
though music may have been cleared for broadcast on television, a new
deal is required for any other medium, such as VHS or DVD.
"The biggest problem with DVDs right now is that there's no statutory rate
that's set for publishing royalties," Rosenfeld laments. " So what happens is
you have a publisher out there who can ask for any amount they want."
"That all of the sudden became an issue because there were some songs
that were by artists that were not so well-known that might be very hard to
track down," Rosenfeld adds. "And at that time, BMG was telling me that
they might have to cut out scenes, and I didn't think that would really fly
very well."
Another entirely non-legal factor compounded the delays for music
clearances. "Seems that someone at Buena Vista was actually out for like
six weeks," Rosenfeld says. "So BMG tried to contact them over and over
again, and basically left voice mail after voice mail and I can vouch for
them, because I tried calling myself and just couldn't get anybody. And
finally, she came back and was like, 'okay, everything's clear!' So because
someone was gone for six weeks, it really delayed the project. We got
nothing done in that time, because BMG couldn't even start the authoring
until they got the okay."
At the same time music clearances were being finalized, Rosenfeld was
attempting to get BMG to issue a press release to prove that the MY SOCALLED
LIFE project was legitimate. "Some people said I was wasting my
time going after BMG for a press release," Rosenfeld says. "But to me, it
was like I just won a marathon to get that press release, it was the greatest
thing ever. Because to me, to be able to post that press release, to actually
link to it on the BMG site, would really calm a lot of people down." On July
1st, Rosenfeld finally received the press release from BMG and was allowed
to post it online the next day. Rosenfeld was concerned, however, that BMG
was not posting the release on their own site. "I think that loyal fans and
customers deserve something official on the BMG site," Rosenfeld posted
at the MSCL forum. After about 35 calls, BMG finally posted the release at
BMG.com on July 18th.
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In addition to waiting for a press release
from BMG, Rosenfeld was also waiting on
an entertainment lawyer to provide the
last touch before the lunchboxes could
be manufactured. "All that we needed
from Buena Vista and BMG was [a] one
line disclaimer under the lunchbox, to
print on the bottom of it, to say like, 'this
lunchbox is not for individual retail sale,'"
Rosenfeld says. "We honestly waited six
weeks."
"And then on the MSCL forum,"
Rosenfeld adds, "I started a contest
where I wanted people to come up with
the most restrictive kind of disclaimer
that they could ever possibly think of.
For example, try to write a two or three
paragraph kind of legalese disclaimer to
put on the lunchbox. Kind of like, just picking fun at the lawyers." When the
final disclaimer arrived in mid-July, Rosenfeld was stunned how basic it
turned out to be. "I'm like, 'It took six weeks for this? What the hell?'"
MY SO-CALLED CHARGES
While most customers had reluctantly accepted an up-front charge for a
DVD set that hadn't been manufactured yet, another issue with the orders
was threatening to become a problem.
In early July, complaints started surfacing about customers being charged
twice for their DVDs by Another Universe. On July 5th at the MSCL.com
forum, Ross Rojek posted, "If you were double charged, we'll fix it. We're
trying to change our credit card processor due to constant problems like
this from them. They took authorizations (which should have just been a
hold) and charged. They took declined charges that we were able to hand
run and automatically charged them again."
Another round of double charges was reported at the end of July,
prompting Jason Rosenfeld to post, "I am totally fed up with this whole
entire process. I am waiting for a more thorough explanation, because if
they cannot stop this from happening it could threaten everything. It is an
embarrassment. You deserve better."
With a wedding pending at the beginning of August, Rosenfeld became
more active in trying to allay the concerns of irritated customers who still
did not have a firm release date. "A lot of people were starting to say, 'This
is never going to happen, someone should make sure that the funds are
still there.' You start hearing crazy, crazy stuff. Finally I said to [Ross], 'You
know what, just let me sleep easy at night, show me proof.' Basically, I
knew I had no right for the proof that the funds existed, he certainly had no
obligation to show me," Rosenfeld says. "But he ended up showing me the
documentation, and quite honestly, that's all I needed."
After this, Rosenfeld posted at the MSCL.com forum, "The fact that the
errors seem happening to the same orders tells me that there is probably
something wrong with AU's shopping cart system (which has never been
used for this type of pre-order before). When people report the errors, they
are being corrected on the spot, so I'll defend them as long as they
continue to do this. They have not interfered with the production of the set
at all. They have not caused a single delay to the project."
Rosenfeld added, "AU.com has asked me to get a customer service page up
and running that will speed up response time and reduce reliance on
emails, which can get lost." On August 8th, Rosenfeld unveiled a customer
service form on his own company website, www.drygrass.com. Gord Lacey,
Rosenfeld's partner, designed the form, which accepted customer
complaints and generated a response when a representative of Another
Universe checked and cleared the complaints from the site.
MY SO-CALLED CALM
With all clearances obtained, the video materials were delivered to AIX
Media in Los Angeles for "authoring," the process where the episodes and
other content (such as menus and subtitles) were digitally prepared for
manufacturing. Rosenfeld visited AIX in late June as they worked on the
material, reporting on MSCL.com, "It is moving along well and the
estimated completion for authoring is about 5 weeks." Based on this
timetable, Another Universe issued an official release date of September
17th.
On September 4th, Justin Martin from Another Universe posted at the
Home Theater Forum that BMG would be sending the MY SO-CALLED LIFE
discs for duplication within the week. Upon hearing this, Jason Rosenfeld
contacted BMG to see if it would be possible to check the discs for problems
before they were replicated.
On September 8th, Jason Rosenfeld became the first person to watch all 19
episodes of MY SO-CALLED LIFE on DVD, thanks to check discs overnighted
by BMG. Through the technology of the internet, Rosenfeld invited online
fans to join him through ivisit.com.
As September 17th approached, some fans shared their excitement over
the imminent DVD release at MSCL.com. Others continued to report double
charges, and a few even reported triple charges. But even though the
announced shipping date was right around the corner, the story was far
from over.
MY SO-CALLED DVD Part III will run on Monday, October 28.
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